Kobayashi Issa & Death

Kobayashi Issa (1763-1827) along with Basho and Buson, is considered one the greatest Haiku poets of Japan. His most endearing gift was attention to detail, with such intense delicacy and sometimes playfulness, that the ordinary came to transcend its everyday mundaneness. Even though my interest today is in his focus on death, but I will start with the birth of his daughter.

Houses and Their Noises

All houses or should I say, each house has a particular noise, a kind of signature that is like a finger print identifying and memorialising it. I remember our first night at the Moskva, a modern hotel, in the Soviet style in Moscow, in 1984. Remarkably, it groaned and spluttered at night more or less…

The Unmentionable Odour of Death

In his poem ‘September 1, 1939’ WH Auden (1907-1973) referred to the ‘unmentionable odour of death’. That was at the outbreak of the 2nd World War. But now we are into the second month of Putin’s war against Ukraine and the revelations from Bucha recalls Auden’s line, but sadly, even if the odour of death is unmentionable, we can well imagine it, all that way, away from the actual grim and unspeakable horror that is Bucha.

Borges’ Undr

Emil Cioran (1911-1995) poet and prophet of pessimism, an existentialist, but one who abhorred meaning-making, whose philosophy focused on the tragic and meaningless, the despair in existence. He wrote ‘I have seen one man pursue his goal, another that one; I have seen men fascinated by disparate objects, under the spell of dreams and plans…

Marguerite Yourcenar’s Aphrodissia: The Widow

In Marguerite Yourcenar’s (1903-1987) Oriental Tales, there is a story “Aphrodissia, The Widow” which deals with the problem of secret grief, that is secret because the source, the relationship with the lost object is a secret but also forbidden.