Late Summer in Sussex.
New blog about misuse of language
I have to say that my interest in words is elemental. I study words, enjoy them, and gaze at them as one would a sculpture. Indeed for me, a word is a sculpture. Imagine the word ‘obfuscate’, the ‘fus’ in it has all the attraction for me, of carrion for ravens, it is a basic even primordial attraction. Much like eyes has for a splendid curve. So, it is true it is not language itself, not sentences, not prose but words that delay me, that keep me awake at night, that I dream about and imagine and feast upon. As J-P Sartre said
‘poetry is on the side of painting, sculpture, and music…It does not use [words] in the same way [as prose], and it does not even use them at all. I should rather say that it serves them. Poets are men who refuse to utilize language’.
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This site is awesome. Check it out.
George and Uche belong to the same generation. Born in 1972 and 1973 respectively, they are good friends and they have more than a few things in common. Now, they have one more: the last two additions to the growing contemporary art collection at Lagos Business School are works produced and placed “in situ” by them. Both pieces, Peters’ “Free yourself” and Edozie’s “LBS” can be seen, suspended from the ceiling, in public areas of the LBS buildings at Ajah, Lagos.
In 2009 I helped putting together an exhibition at Omenka Gallery titled: Nigerian abstract painting now. George Edozie and Uche Peters (at that time his name was still Uche Igwe) participated in it. Since then, Uche has produced only a few works, mainly using galvanized steel wire, while George has been a prolific artist, increasingly incorporating textiles into his works.
Uche is an unusual…
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